22 January 1881 - 'Seasonable Dress and How to Make It

Our patriotic feelings are naturally interested in the home-use of our own English manufactures, so we shall no doubt feel interested in knowing that the present taste for plush is a encouragement to English trade, as the plushes used are, to a great extent, of purely British manufacture. They are very beautiful both in colour and texture, and a plush bodice forms a most elegant and useful addition to the wardrobe of every girl, and is not too expensive to use to make an old dress look like a stylish new one. Plus is also a very excellent material to use to lengthen an old silk bodice which has become too short  for the present fashion, and it will quite metamorphose an old walking jacket if cleverly used. Plush collars and cuffs are put on dresses of another colour, and need not be used anywhere else on the dress. They are also used with out-of-door jackets and ulsters. They take about half a yard of plush; the collar is of a true sailor shape, square at the back, and rounded at the corners in front, where it fastens under a bow of plush or lace and ribbon. Black velvet sailor collars, cuffs, and pocket flaps are also worn on dresses of every kind of woollen texture and hue, and sometimes, instead of the collar, a long hood lined with a bright silk is added to the indoor bodice.

Black is not nearly so generally worn by day as it has been  for the last five years, colours being far more generally chosen than they were; and red, such as claret, wine, and plum colour, being in high favour, quite as much as they were last year. Satin is the favourite trimming with cashmere and serge, and also broche materials, but not plush, velvet or velveteen. Jackets and coat bodices are the most worn of any description of corsages for the daytime, but for evening dress the long pointed bodice is worn, both for young and old. Belted bodices have not become popular, and even with gathered dresses are not at all used. The new jerseys are very lady-like and pretty, and as they are now made there is nothing objectionable in them; they fasten down the front with a row of small cloth buttons very closely set, and large square collars and deep cavalier cuffs of plush are added; or else a hooded cape which matches the jersey in colour, or else it is of a distinct colour and matches the balayeuse, which now forms a part of every short dress.

A jacket intended for out-of-door wear, with the collar and cuffs and pockets in plush or velvet with embroidery on the edges, is illustrated at fig.1. This jacket will be most useful and popular  for the spring and will show our readers that the new ideas of the spring though a little different, have no very decided change in them.

The pretty bonnet illustrated at fig.2 is made of black straw and the new ribbed plush; it is as simple and unpretentious as possible, and could be easily accomplished by any girl. The plush on the bonnet is in the two full rouleaux, the front is lined with velvet and the strings are of ribbed plush or of ribbed plush ribbon. The shape is the close princesse, which may be purchased at any price, from one shilling to three and sixpence, according to the quality and fineness of the straw.

The large illustration represents a girls' skating party, and we hope that by this time the weather has proved favourable to this eminently healthy and delightful exercise, and that numbers of our girls will have learned to skate gracefully and well, not only the ordinary straightforward skating, but the Dutch roll, in outside and inside edge, and any forms of figure-skating that they can manage to acquire under tuition of father or brother.

Except from suffering and death it entails on the poor, by reason of our badly-built houses and inefficient powers of heating them, we might wish for a longer continuance of this pastime, but under those circumstances we cannot selfishly desire what occasions pain and sorrow to others.

Beginning from the left-hand side with the first figure, we find she wears a girlish-looking cloak and bonnet, which ware known by the name of the "Mother Hubbard" this winter. The cloak is made of either cloth or cashmere, and is lined with fur, or a quilted alpaca lining  for the winter, if the latter be used. The muff is of the material, trimmed with velvet or plush bands. Many Mother Hubbard cloaks are made of cloth, and the gathered portions round the neck and wrists are of satin or velvet. This is a very pretty addition to the cloak, and does not increase the expense of the cloth materially, because it does not require lining like the thinner cashmere. The bonnet is of plush and satin, to match the muff; it has a gathered crown, and at one side a tiny bouquet of velvet leaves and berries. The dress worn beneath is of sapphire-blue cashmere, trimmed with satin bands.

The second figure to the left wears a plaid dress made with a kilted flounce, and a long plainly-cut cloth jacket, double-breasted in front, with two rows of buttons and bands of narrow fur to edge the neck and the sleeves. The cap matches the cloak and is called the "Russian General's"; the crown is of cloth, and the band or border of fur.

The third and most distant figure wears an ulster with three small capes, and a cloth hat to match her ulster, the gossamer veil being tied beneath the chin.

The fourth and centre figure wears an ordinary walking dress of black cashmere, with two flounces, each with a gathered bouillone top. The scarf tunic is closely pleated across the front. The cloth jacket is prettily braided and edged with fur; it has a hood at the back. The hat is called the "boat shape", is made of rough beaver, and trimmed with velvet.

The fifth figure wears an extremely warm cloth cloak, trimmed with fur, and a fur muff; while her hat is a large one, slightly turned up at one side, lined with black velvet, and trimmed with a feather.

The little woman who stands in such an observant attitude at the back and looks on is attired in a plaid frock, edged with black fur, and a crochet Tam o' Shanter cap. Apropos of the latter articles, for which there has been such a rage during the last few months, they seem now to have been passed over entirely to the children, and both boys and little girls wear them alike. They make a very pretty and cheap headdress, and any mother or sister can make them for herself, and I really do not consider that any pattern is needed, as the increasing  for the crown are very easily managed, and must be just sufficient to make it lie flat. Fingering yarn and a coarse crochet-needle are all the implements needed, and a friend of mine informs me that her boys' caps cost her exactly sixpence each.

I must not forget to mention that self-coloured stuffs are more popular than figured ones, and that where the handkerchiefs are used for dresses the foundation consists of a plain, thick woollen material, such as diagonal cloth, Cheviot, or Indian cashmere.

26 November 1898 - 'Frocks for Tomorrow' by the Lady Dressmaker

Good news, the Amateur Swimming Association are close to deciding on the design of the regulation swimsuit! Also this month, dress is fitted and clinging to create a tall slender ligne, tre-corne hats should only be worn by the young and beautiful, puffy sleeves are gone, and flame-red orange is a popular colour in French millinery currently, though the French hats unfortunately don't suit the current trends in English hairdressing.

The first thing on my list with which I must deal is the recent meeting of the Amateur Swimming Association, at which the vexed question of a regulation dress for the women members was discussed; and there is a good chance that it will be wisely and properly decided so that there will be a regular uniform dress in future, and all misunderstanding will be avoided. The material to which the lady delegates appear to have given in their adhesion is stockingette; which they consider superior in every way to serge, flannel, silk or merino. A model costume made of it, shown by the Birmingham Ladies Club, was so much approved of by the large assembly of ladies present, that it was adopted as a guide, the fullest liberty as to trimmings being given, while only three colours were allowed, viz., navy blue, red and black. The Birmingham costume had flat facings of Turkey-red twill, but of course it is open to any club to select their own colours. It buttoned on the shoulders, and by means of gussets under the arms a short sleeve was formed. The great recommendation, however, was its cheapness, as it was announced that it could be produced in quantities of not less than one dozen at a fraction, over two shillings each, in the various sizes required by the wearers, Of course where there are so many working women’s clubs, this question of cost is a grave consideration. The costume finally recommended was much on this Birmingham model.  With the additional advice that “it should reach, at least, to within three inches from the knee” should be cut square at the neck, and button on the shoulder, where it must be not less than thee inches in width, and where it must be shaped to the arm beneath, so as to form a short sleeve.

Now that swimming as a pastime has become so popular amongst women and girls, and when it is taught in so many schools, it is only wise to decide on a suitable dress, which can be modified to meet all views, and trimmed to please all wearers, and be attainable to limited purses, and above all, should be seemly to wear in a mixed assemblage of all ages.

Although we have worn the Eton jacket with more or less decoration for many years, it seems still to hold its own, and is very becoming indeed to many people. The same may be said of the Bolero fronts; both of these are braided and buttoned this autumn, and the braiding is generally in panels, while the buttons most used are of the fancy order. Basqued bodices with and without belts, three-quarter-length coats, quite tight to the figure, and a coat of the Directoire style, short at the waist in front, with a rounded basque and long coat-tails; all of these are in fashion, and, so far as I see, though all have basques, they may be long or short, according to individual fancy. The great desire of all women this winter is to present an appearance of height and thinness, and all draperies must be sweeping, and the outlines flowing, to meet with our approval. Flounces and frills are used with much discretion, so that they may not contradict the clinging effect. Skirts are, if possible, tighter than ever, and only show fullness at the feet, while as regards our sleeves, the last vestige of puffiness has deserted them, and not even a tiny pleat is permitted at the shoulder, and the whole appearance is that of the old coat-sleeve, which was originally introduced by the Princess of Wales.

Of course, with this clinging effect, we may naturally go on to say that the Princess dress that was worn by a few people last season will be adopted by many this winter; and the newest ones, if in cloth, have very generally strapped seams; the French Princess gowns having very generally a plastron, which is buttoned up on each side with handsome buttons.

In hats, we find the tre-corne much used in Paris; but this is a style only suitable to the very young, or very pretty, so that the wider brimmed felts are more generally popular. Many of the felt hats are made in two colours, the underpart being of a different colour to the upper, and very little trimming is used for them. Low-crowned hats of almost a sailor shape have been predicted, and the boat shape is one of the favourite winter models. Quills and wings have taken the place of the long and graceful ostrich feathers, the former being more suitable for winter weather; a large bow and ends, and jewelled buckles, form part of the trimming, and the hat-pins are sumptuously jewelled, and as every lady tries to select those that are most decorative to her hat or bonnet, they have become quite a feature in the head-dress of the day.

I spoke in my last chat on cloths, and dress in general, of the change that has taken place in the dressing of the hair, and that it is worn much lower; in fact in a coil that lies on the nape of the neck, the rest of the hair is waved in large waves, which lie regularly over the top of the head, and across it from ear to ear, while the front locks are curled over the forehead. The chief difficulty presented by this new departure is in finding a hat or bonnet to go with it; for all the French bonnets are made to go with the high rolled coiffure universally worn on the Continent, but never very becoming to Englishwomen who have good heads of hair and find a difficulty in producing the tiny knot of hair, which is the essential part of the high hair-dressing. The low knot is shown in our picture of the two figures representing the new winter gowns, and called “A Princess Dress of brown cloth”. These two gowns show exactly the prevailing styles of the winter.

 Princess Dress of Brown Cloth

I daresay you will have already seen though perhaps not quite relished the change that dresses are now worn with bodices of the same material, and the sketch in question displays this alteration in style. The seated figure wears a Princess dress of brown cloth, with revers of cream-coloured satin, one of which overlaps the other so far as to close the gown on the side of the front, and the band of cream satin is continued across the front and terminates in a scroll. The satin has a scroll pattern braided on it with brown silk braid, and the cuffs are decorated in the same manner. To those who contemplate having a Princess gown, I would say, be careful to choose a good tailor or dressmaker, and a firm material of which to make your dress, in order to avoid dissatisfaction with your gown.

The second gown is of green face-cloth. The bodice and sleeves are tucked with small horizontal tucks all over them. The skirt is one of the new ones, and is in three tiers, cut away from the front, and each is edged with a small band of chinchilla fur.

Long Basqued Coat and Embroidered Jacket

The second sketch shows a sac jacket of smooth blue serge, with a skirt to match. The jacket is beautifully braided and embroidered in black, both in front and on the shoulders. The hat is of blue felt, trimmed with blue velvet and feathers. The second figure wears a long basqued coat with a fur collar, and wide revers in front which taper down to the waist, and end in two tails. The cuffs are turned back in the new shape, and the collar is high and closes in front. The skirt worn is plain, and is cut in the umbrella style. The hat is a small velvet one, with fur trimmings and white or cream lace. The mixture of lace and fur indeed with all our winter trimmings this year is very remarkable, and contributes to the very light effect of all the millinery worn.

Cape and Muff of Chinchilla and Green Silk

The pretty sketch next in order represents a gown made of one of the new fancy materials trimmed with chinchilla; cape of chinchilla trimmed with green silk and cream lace, and muff to match. The hat is a very charming model, which is called by some milliners a Trelawnley. It droops in front and is made of black velvet, found the crown a very handsome ostrich plume is laid, and under the brim of the hat is a cache peigne of pink roses. The new capes of this season are, many of them, pointed in front and back; and are often caught in at the waist behind. Violet cloth has been very much used for capes, and this is a colour that goes so well with fur of all kinds that it is likely to be popular. Where jackets are concerned, whether long or short in the basques, the latter must fit very snugly round the hips, without fullness, or they will not give the effect of the newest style. Many of the basques are added with a seam just below the waist, and are marvels of careful fitting.

There is a rather strong tendency to use a great quantity of orange in the French millinery; the hue of the moment being of the reddest and most vivid flame colour. The other colours in vogue for the same purpose are green, some shades of red, golden brown, wallflower and much blue in all shades. For capes and coats putty-colour and fawn are much used, and there is a large amount of white used for trimming.

I must not finish my chat without mentioning the ribbon trimmings which have so largely replaced lace, tulle and chiffon ruches, especially upon bodices and blouses. Skirts as well as bodices are ornamented with gathered ribbons. The prettiest effect is given by using two ribbons together, a narrow and a wider one. These may be of two different colours, or of black and white, the latter being placed on the top. Plain bands of ribbon edged with black velvet, or with baby ribbons gathered, are also much used; in fact there seems no style of design which cannot be turned to account in this decoration.

30 April, 1898 - 'Frocks For Tomorrow' by The Lady Dressmaker

In which the Lady Dressmaker expresses her opinion that Englishwomen aren't likely to take to the new fashion of smoking and reminds us that decorating hats with dead bird parts is ugly and cruel. Includes pictures.

On all sides I hear that there is to be a great revival of those fashions of the "forties" in which flounces and pelerines and mantles all flourished together; and I have no doubt that those who go in for extremes will find plenty of them. It seems likely, however, that we shall all have a choice, and that plain skirts will flourish beside those covered with flounces.

The tightness of the upper part of the skirts is something wonderful to see, but round the feet they run to four or even five yards round. And, after all, they are not ungraceful, and the flounces even may be arranged to make us look slight and tall, for they are not as those of old, gathered on the skirt and so rendered bunchy and ugly; they are in general cut so that they are of the same width, and so can be put on with no fullness at all. The number of trimmed and tucked skirts is very great, and the trimmings follow no special rule, but run vertically, horizontally, or across, just at their own sweet will, or rather that of the dressmaker who put them on. One of the new styles of trimming is seen in the rouleaux, which are either gathered, or plain, over cord. Folds of material and tucks are generally worn, and braiding of all kinds. Some of the tucks are quite astonishing; they are so very tiny, and so beautifully done, especially where the new blouses are concerned. The folds of material vary in width from half an inch to three or four inches.